Marvel Comics Research Paper - 1053 Words

In October 1939, the world required heroes. Hitler had recently attacked Poland. Britain, France, Australia and New Zealand had proclaimed war. The US remained unbiased – but it was already taking the first steps towards the Manhattan Project and the making of the nuclear bomb. As Nazi Germany s shadow fell over Europe, it appeared the planet was on the edge of demolition. Who might save us? The response hit the newsstands when Timely Publications gave us Marvel Comics #1. Emerging between the usual romance, western and crime magazines that lined the racks, Marvel Comics was an alternate breed. Its cover demonstrated a gigantic orange figure, The Human Torch, melting bullets on his blazing chest. Inside, The Torch was joined by Namor†¦show more content†¦In any case there was, up to this point, one thing that evaded it: Hollywood success. The point when superhero movies first started to overwhelm the box office, from Superman (1978) to Batman (1989), they were all DC titles. Marvel never appeared to have the capacity to keep up, regardless of being purchased by film organization New World Pictures in 1986. Film rights were lashed to studios yet all we got was super-crap as The Punisher (1989) and direct-to-VHS Captain America (1990). At that point came sleeper hit Blade in 1998. The character was basically obscure, didn t even have his own particular comic book, and had been part of Tombs Of Dracula, reviews Arad. However the establishment went ahead to make $1 billion in income and prepared for X-Men (2000). X-men was a massive hit that put the Marvel Cinematic Universe where it is today. Suddenly Marvel Comics were contendors at the movies and the organization even set up its own film division – Marvel Studios – in the in the 90s. With such a rich back list to work with, it was a No-Brainer. Its multi-billion dollar deal with The Walt Disney Company demonstrates exactly how lucrative its characters are to Hollywood. Mouse House CEO Bob Iger depicts Marvel as a Treasure trove that transcends sex, age and geographical barriers. Disney, an organization that based fortunes on making franchises around notable characters, was a great partner. Previous MarvelShow MoreRelatedHercules in Popular Culture1719 Words   |  7 PagesHercules For my research paper I chose to explore and analyze instances of the great Greek/Roman hero, Heracles (Hercules), appearing in popular culture and the effect his myths had on early civilizations. Considered by most to be the greatest of the Greek folk heroes, Hercules was the embodiment of masculinity and physical power. The word â€Å"herculean† literally translates into â€Å"having enormous strength, courage, or size† (dictionary.com.) Since their inception, the myths and legends of HerculesRead More Hasbro, Inc. Essay1704 Words   |  7 PagesSouth Park, are available for PCs, Nintendo, SEGA, and Sony game systems. 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Adults are only kids grown up, anyway†. Disney conducts extensive research to attract their target markets, and therefore is able to create products and entertainment that are frequently updated to appeal to new and ever-evolving consumer interests. However, it is the parents that are perhaps the most important segmentRead MoreEffects of Reading Comic Books5082 Words   |  21 PagesEffects of Reading Comic Books on the Young Reader OUTLINE TITLE: EFFECTS OF READING COMIC BOOKS ON YOUNG READERS INTRODUCTION I. HISTORICAL OVERVIEW A. Rise of the Comic Strip B. The Comic Book Superheroes C. The Philippine Comic Book Industry II. COMIC BOOK CHARACTERISTICS A. Unique Characteristics B. Parts of the Comic Book C. Comic Book Genres III. EFFECTS OF COMIC BOOKS A. Negative Effects of Reading Comic Books B. Positive Effects of Reading Comic Books CONCLUSIONRead MoreForgetting The Females By Alison Bechdel2054 Words   |  9 Pagesexamines an issue with the female characters of the Marvel cinematic Universe. She examines the roles of Pepper Potts from Iron Man, Natasha Romanoff/Black Widow from the Avengers, Jane Foster from Thor, Betty Ross from the Hulk, and Peggy Carter from Captain America. A couple topics she discusses are postfeminist pop culture, gender divisions between masculinity and femininity, as well as gender roles. An issue she found in her analysis was the Marvel Avengers’ love interests are all â€Å"hyperfeminized